Old Aynsley

Aynsley Tea Set In Fine Bone China “Old Aynsley” Pattern 3074 Art Nouveau. The favourite of Queen Elizabeth.

Dutch

Is there Art anything more beautiful than the Dutch old masters?

Dutch pottery cup bowls by Petrus Regout & Co. Maastricht Holland Bowl Lustre Transfer Ware Goudkust. Very Rare.

Pair of Petrus Regout Bowls. Antique Lustre Bowls. Very beautifully brilliant in The Earth tone. The Transfer Pattern is called Goudkust in Dutch. Stunning pair of twins aren’t they?

If I were to describe them; White footed, imagine Orange and brown Flowers, leaves, swirls and branches in earth tones. Beautiful Glaze. All the colours of Autumn. Leaves and Landscapes and Harvest.

They look veryExcellent for their age. The Lustre retained both on the outside is still beautiful. 1840’s original. These are twins; been around. They have a history. Victorian. Maybe they set at Table before Holland became known as the Netherlands.

Petrus Regout company that became generally known as ‘Société was renamed Sphinx in 1899. Around 1900 the products of Société Céramique vied with those of Sphinx in price as well as in quality.

Bizen Ware Keshiki

Japanese Bizen ware Tea kettle. It is Reddish Green Brown pottery covered with a light brown and Ash glaze. With the potters mark.

Bizen; Keshiki, or in English view/landscape, refers to the different effects that form on the surface of Bizen ceramics during the firing in the kiln. This tea pot is one of the most common Keshiki to look out for, but Hi-Iro, pictured above; I think is one of the best of the many in the Bizen-Yaki has to offer in the Bizen Ware category;

Hi-iro, Meaning is “flame color”. Colors such as striking bright red or reddish-brown coat areas of the ceramics.

Aobizen

Ao means blue. A beautiful, yet subtle shade of blue dons the surface of the ceramics.

Botamochi

The shape and color look similar to the Japanese rice cake called botamochi, hence the naming.

Goma

Looks like a sprinkling of sesame seeds on the surface of the ceramics. Sesame seeds are known as goma in Japanese, hence the naming.

Hidasuki

Eye catching red scorch markings created during firing due to the clay being wrapped in straw.

Hi-iro

Meaning is “flame color”. Colors such as striking bright red or reddish-brown coat areas of the ceramics.

Kasegoma

A very desirable keshiki. The clay takes on a “crusty” texture. Usually a gray/silvery color.

Sangiri

Quite a varying array of colors, textures, and patches over the surface of the clay caused in the kiln during firing. One of the major keshiki and one that can give a Bizen piece an absolutely fantastic view/landscape.

Shiso-iro

a beautiful purple tone that resembles the leaf color of the perilla plant known as Shiso in Japanese. Iro simply means color.

Kinsai

Kin means gold in Japanese. Basically the surface of the clay takes on a gold color. Naturally a very sort after Keshiki!

Ishihaze

Small cracks that form around tiny stones that are used in the clay to create a desirable rough finish. The cracks are caused during drying and firing when the clay starts to shrink. The tiny stones don’t shrink, so sometimes they cause the clay to crack open around them.

This is regularly seen as a flaw in the western world, but is truly seen as aesthetic in Japan, and is dearly loved and prized for adding natural beauty to ceramics!

Chanoyu

The Japanese Tea Ceremony. The Japanese tea ceremony is called Chanoyu, Sado or simply Ocha in Japanese.

It is a choreographic ritual of preparing and serving Japanese green tea, called Matcha.

Tea is served together with traditional Japanese sweets to balance with the bitter taste of the tea.

Victorian Daisy

A Rare find. Antique Foley Wileman Shelley daisy tea set for four With Teapot, Milk Jug, Sugar Bowl, 4 teacups And 4 Saucers.

A Charles Wileman Shelley daisy shape comprising of a Complete tea set; in the Daisy shape made in 1890.

Wileman was later renamed Shelley and called Foley, One of the most respected manufacturers of fine bone china teaware in the late 19th Century.

Made in Belgium

During the Belgian revolution of 1830 and the period of mutiny afterwards (1830-1839) the family BOCH had already acquired a long tradition in the field of faience and a lot of strategic experience in anticipating politic and economic developments.

Around 1874, due to the passionate interest of collectors of old faience pieces, Victor BOCH hires Dutchman from Maastricht, some already experienced after years of work in Delft. These Dutch faience painters brought their knowledge, experience and skills.

Thanks to their collaboration the old working methods were applied on different clay than the potters in Delft.

A period of reproduction of decors is followed by a period of innovation, among others with the polychrome decors on white background, or bleu, green or black, and afterwards new decors.

Luxury faience is decorated with Delft decors, and becomes a speciality of the “Manufacture” in a division named “la Chambre des peintres hollandais” (the Holland painter’s chamber).

These pieced each with a hand painted signature of the interlaced letters “B, F, K“ (Boch frères Keramis) on the bottom of the pieces.

These artistic products in Delft style are hand painted, instead of being decorated with a usual printed decor.

 

More at: visit my ebay store:

https://m.ebay.co.uk/itm/Antique-Celadon-Boch-Freres-Keramis-Bowl-Ceramic-Lustre-ware-3-Available-/263252912835?_mwBanner=1

Blue and White

There is a true allure of collecting blue and white pottery. I believe it is that some people like myself…just love it. I love the design, the color, and the patterns.

Many have traveled across oceans; traded for a meal; served our family’s and Royalty. As our lives change; then suddenly we are able to appreciate the culture behind the art of the potter, instead of the pot being merely useful.

Old plates, vases and teapots, I think, have a secret history; I can imagine dinners with a silent backstory of conversations over tea and cake. Presentation is important. Make a fuss! It’s a shows love and respect to your family and your guests.

If you are going to collect blue and white; Buy pre-loved and or pre-owned. It’s keeps old pots out of landfills; recycle and reuse. We have to be mindful of our environment too.

My eyes have been caught up by the simple beauty of every day common pottery made remarkable by the colour blue and the brilliance of shape.

This is my table and I’m just getting started.